中国早报湖南讯（路漫）一、丝路福船：艺术与使命的融合

1. 创作背景与时代意义

响应国家战略：丝路福船是王泓君教授为贯彻中国共产党的二十大精神，以艺术为载体推动 “构建人类命运共同体”与维护世界和平和加强“一带一路”沿线国家经贸合作的艺术代表作。作品历时十年创作筹备，融合中华优秀传统文化与西方文化等多重元素，是为“一带一路”倡议创造的文化象征符号。

世界巡展计划：通过中国丝路福船国际文化艺术研究院整合社会资源推动，作品将世界巡展，促进中外文明互鉴、残疾人艺术交流，并助力“一带一路”沿线国家文化设施建设与经贸合作。

2. 艺术家的社会责任

王泓君强调：作为一名中共党员的艺术家，坚持艺术为人民服务，艺术为祖国服务的宗旨，“丝路福船跨越了技法与个人表达，实现了大我与小我的统一。丝路福船不仅是艺术作品创作，更是对国家文化走出去战略的践行。这需要中国和“一带一路”沿线各国人民的参与和支持，也需要艺术家以执着的艺术精神和宏大的格局承载使命。”

二、丝路福船系列油画的艺术诠释

1. 创作理念与视觉语言

丝路福船系列油画作品是以各国著名的建筑，山水风景和动物为主要元素，融合了中国的诗词对联以及书法，用油画艺术形式表达丝路福船构建命运共同体的主旨思想。作品汇聚了中西文化，用中国传统送“福”的方式传达“福到”的寓意!象征“一带一路”建设和国际贸易为各国人民送来福气和福音，传达了中国人民对外合作共赢的诚意!王泓君教授说。

2. 批判观念主义的转型

尽管王泓君是“批判观念主义”的创立者，但他表示：“丝路福船系列作品聚焦合作与共赢的主旨，不带有批判性。这是对‘人类命运共同体’理念的正面诠释，旨在传递共建共享，合作共赢的诚意与希望。”

三、丝路福船的象征内涵

1. 构建人类命运共同体的艺术宣言

一带一路的隐喻：丝路福船象征互联互通，构建命运共同体，寓意经贸合作带来的共同繁荣。

和平与发展的愿景：王泓君教授指出：“艺术能超越语言隔阂，让‘互利共赢’观念直抵人心。这是维护世界和平，促进政治互信，民心相通的软实力。”

2.铸牢中华民族共同体意识的载体

东西方文化共鸣：

西方语境：丝路福船呼应诺亚方舟“拯救生命”的博爱精神。

东方智慧：丝路福船象征“同舟共济”，体现中华民族团结一心，建设具有中国特色社会主义价值观的精神内核。

四、未来展望：从艺术符号到文化建设行动

1.中国丝路福船国际文化艺术研究院将持续整合社会各界资源推动国内和世界巡展

2.未来计划将丝路福船落地多省和世界各地，用实际行动将中华民族优秀文化传播走出去

结语

丝路福船不仅是艺术创作，更是文化外交的桥梁。王泓君总结道：“艺术家应当成为时代的创造者与文化发展的推动者。丝路福船的航程已经开始，它的终点是人心相通，政治互信，互利共赢，共同繁荣的世界。”

艺术家简介：

王泓君，著名艺术家，画家，设计师，书法家，企业家，高级工艺美术师，高级环境艺术师，一级美术师，高级工程师，批判观念主义艺术理论的创立者。中国丝路福船国际文化艺术研究院执行院长兼秘书长，长沙理工大学设计艺术学院校外硕士生导师，中南林业科技大学校外硕士生导师，中国建设文化艺术协会环境艺术专业委员会常务理事，专家委员，赢征集团董事长。

Wang Hongjun: The Silk Road Treasure Ship, Building a Community with a Shared Future for Mankind

I. The Silk Road Treasure Ship: Fusion of Art and Mission

1. Creative Background and Contemporary Significance

◦ Responding to National Strategy: The Silk Road Treasure Ship is a masterpiece by Professor Wang Hongjun, created to align with the guiding principles of the 20th National Congress of the Communist Party of China. It serves as an artistic medium to promote "forging a strong sense of community for the Chinese nation" and "building a community with a shared future for mankind," while fostering world peace and enhancing economic and trade cooperation among Belt and Road Initiative (BRI) countries. After a decade of preparation, the work integrates elements of traditional Chinese culture and Western influences, emerging as a cultural symbol of the BRI.

◦ International Tour Plan: Facilitated by the China Silk Road Treasure Ship International Culture and Art Research Institute, the artwork will embark on a global tour to promote cultural exchange between China and other nations, support artistic collaboration for people with disabilities, and contribute to cultural infrastructure development and economic cooperation in BRI countries.

2. The Artist’s Social Responsibility

Wang Hongjun emphasized: "Art must engage with society to demonstrate its power. The Silk Road Treasure Ship transcends technique and personal expression, achieving unity between the collective and the individual. It is not merely an artistic creation but also a practice of China’s cultural outreach strategy. This requires participation and support from all sectors of society, as well as artists who carry this mission with sincerity and grand vision."

II. Artistic Interpretation of the Silk Road Treasure Ship Oil Painting Series

1. Creative Concept and Visual Language

The Silk Road Treasure Ship oil painting series incorporates iconic architecture, landscapes, and animals from various countries, blended with Chinese poetry, couplets, and calligraphy. Through oil painting, it expresses the core theme of building a community with a shared future. The works fuse Eastern and Western cultures, using the traditional Chinese practice of delivering "blessings" (Fu) to symbolize the arrival of goodwill and prosperity. As Professor Wang Hongjun stated, "The series embodies the 'blessings' brought by the Belt and Road Initiative and international trade, conveying China’s commitment to win-win cooperation."

2. Transition from Critical Conceptualism

Though Wang is the founder of "Critical Conceptualism," he noted: "The Silk Road Treasure Ship series focuses on collaboration and shared benefits, devoid of critique. It offers a positive interpretation of the 'community with a shared future' ideal, radiating hope and mutual goodwill."

III. The Symbolic Meaning of the Silk Road Fortune Ship

1. An Artistic Manifesto for Building a Community of Shared Human Destiny

The metaphor of the Belt and Road Initiative: The Silk Road Fortune Ship symbolizes interconnectedness, the establishment of a community of shared destiny, and the shared prosperity brought about by economic and trade cooperation.

The Vision of Peace and Development: Professor Wang Hongjun pointed out, “Art can transcend language barriers and convey the concept of ‘mutual benefit and win-win’ directly to people’s hearts. This is a soft power that upholds world peace, promotes political mutual trust, and fosters people-to-people connections.”

2. Vehicles for strengthening the sense of national community among the Chinese people.

A resonance between Eastern and Western cultures:

Western Context: The Silk Road Fortune Ship echoes the societal value of Noah’s Ark’s mission to “save lives.”

Eastern Wisdom: The Silk Road Fortune Ship symbolizes “working together as one ship,” reflecting the unity and solidarity of the Chinese nation in building upon the core values of socialism with Chinese characteristics.

IV. Future Vision: From Artistic Symbol to Cultural Action

5. The China Silk Road Treasure Ship International Culture and Art Research Institute will mobilize resources to expand domestic and international exhibitions.

6. Plans include installing Silk Road Treasure Ship artworks across Chinese provinces and globally, turning cultural diplomacy into tangible action.

Epilogue

The Silk Road Treasure Ship is not just art but a bridge for cultural diplomacy. Wang concluded: "Artists must be creators of their era and catalysts for cultural progress. The ship’s voyage has begun—its destination is a world of mutual understanding, trust, and shared prosperity."

Artist Profile:

Wang Hongjun is a renowned artist, painter, designer, calligrapher, entrepreneur, and founder of Critical Conceptualism art. He holds titles including Senior Craft Artist, Senior Environmental Artist, First-Class Fine Artist, and Senior Engineer. Currently, he serves as the Executive Director and Secretary-General of the China Silk Road Treasure Ship International Culture and Art Research Institute, an off-campus Master’s Supervisor at both Changsha University of Science & Technology’s School of Design and Art and Central South University of Forestry and Technology, as well as a Standing Council Member and Expert Committee Member of the Environmental Art Committee at the China Construction Culture and Arts Association. He is also the Chairman of Winzheng Group.

值班总编：邱天